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Cinema Line FX30 APSC E mount (Body Only)

Model: ILMEFX30B

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$3,499.95 NZD

Delivery Information

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Delivery Australia

Australia

Regular deliveries to NSW, QLD and VIC metro areas should be received within 1-5 business days. For ACT, SA, WA, TAS, NT metro and other rural areas, orders should be received within 1-7 business days.

Delivery New Zealand

New Zealand

Regular deliveries to Metro areas should be received within 1-5 business days. For rural areas and Stewart Island, orders should be received within 1-7 business days but may dependant on local carriers.

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Support for filmmaking

The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilisation features let you concentrate on composition, not the complexity of crews and rigging.

Support for filmmaking
Advanced technology for outstanding resolution
Advanced technology for outstanding resolution
The FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic colour reproduction, low noise, and other image quality improvements.
Infinite possibilities of expression with S-Log3
Infinite possibilities of expression with S-Log3
For production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.
10-bit 4:2:2 recording for greater editing latitude
10-bit 4:2:2 recording for greater editing latitude
The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.
Durable magnesium alloy chassis
Durable magnesium alloy chassis
The main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
Two CFexpress Type A and SD card compatible media slots
Two CFexpress Type A and SD card compatible media slots
CFexpress Type A is the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Flexible high-resolution touch-panel LCD monitor
Flexible high-resolution touch-panel LCD monitor
A side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.
16-bit RAW output via HDMI
16-bit RAW output via HDMI
For demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

Key Features

Recording formats for image quality and  post-production

Recording formats for image quality and post-production

The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, for even better image quality and manageable file sizes.

Dual Base ISO for cleaner images in low light

Dual Base ISO for cleaner images in low light

The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximise the FX30's dynamic range when shooting in both bright or low-light conditions. What's more, a wide 14+ stops of latitude minimises the risk of blown highlights or blocked shadows over a wide range of lighting conditions.

Log recording for smooth cinematic colour grading

Log recording for smooth cinematic colour grading

For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when colour grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality colour reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.

New Log shooting modes for optimised image quality

New Log shooting modes for optimised image quality

Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera's Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.

See an accurate preview of the final image with user LUTs

See an accurate preview of the final image with user LUTs

When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customisable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.

Dependable, highly accurate autofocus

Dependable, highly accurate autofocus

Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds and animals), while Real-time Tracking provides reliable tracking based on Sony's unique, AI-based subject recognition.

Sophisticated focus functions to handle any situation

Sophisticated focus functions to handle any situation

The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualise depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimising the field-of-view shift that can occur with some lenses.

Flexible motion with up to 4K / 120p recording

Flexible motion with up to 4K / 120p recording

The FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.

Active Mode image stabilisation supports handheld movie shooting

Active Mode image stabilisation supports handheld movie shooting

Active Mode is an optical in-body 5-axis image stabilisation mode that provides increased stabilisation for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.

Metadata to facilitate editing with Catalyst

Metadata to facilitate editing with Catalyst

Sony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilisation, breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.

Proxy recording for efficient editing workflow

Proxy recording for efficient editing workflow

Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow[FN|Proxy recording is not available under the following conditions:<br /> - Normal movie recording at a &#91;Record Frame Rate&#93; of 120p (100p) or higher.<br /> - S&amp;Q movie recording at a &#91;Record Frame Rate&#93; of 120p (100p) or higher.<br /> - S&amp;Q movies at a &#91;Frame Rate&#93; of 120 (100) fps or higher.].

Still image shooting function

Still image shooting function

Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.

Multi-thread body makes a cage unnecessary

Multi-thread body makes a cage unnecessary

Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.

New main menu for quick access to frequently used items

New main menu for quick access to frequently used items

The camera's new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.

Movie standby screen

Movie standby screen

The layout of the information and icon overlay that appears in standby mode has been optimised for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.

Tally lamps

Tally lamps

Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.

Flexible, high-resolution touch-panel LCD monitor

Flexible, high-resolution touch-panel LCD monitor

The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.

Vertical aspect markers

Vertical aspect markers

With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.

XLR connectors for high-quality external audio input

XLR connectors for high-quality external audio input

The XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.

Environmentally conscious without compromising performance

Environmentally conscious without compromising performance

The Sony Group continues to accelerate our "Road to Zero" environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.

Memorable imagery from the Exmor R CMOS sensor

Memorable imagery from the Exmor R CMOS sensor

The FX30's back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony's industry-leading image technology is packed into a new Super 35 format (20.1 megapixel) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom.

S-Cinetone for a cinematic look without grading

S-Cinetone for a cinematic look without grading

The FX30 incorporates S-Cinetone, based on the colour science behind the highly regarded colour and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.

Sturdy magnesium alloy body

Sturdy magnesium alloy body

The camera's body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Broad connectivity for a wide range of shooting needs

Broad connectivity for a wide range of shooting needs

An HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.

16-bit RAW output via HDMI

16-bit RAW output via HDMI

For demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

Time code sync

Time code sync

The FX30 can be synchronised (TC-IN) to a second camera that has a time code output terminal by connecting the FX30's Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.

Two CFexpress Type A compatible media slots

Two CFexpress Type A compatible media slots

The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.

Uninterrupted 4K 60p recording

For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony S (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised the camera's airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

Designed to resist dust and moisture

Dust and moisture resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Imaging Edge Mobile

Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.

Specifications

General Features

    • Lens Mount E-mount

Lens Compatibility

    • Lens Mount E-mount

Sensor

    • Sensor Type APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

Sensor Type

    • Sensor Type APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

ISO Sensitivity

    • Sensitivity [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

Number Of Pixels (Effective)

    • Pixels Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)

Shutter

    • Shutter Speed [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec

LCD Screen

    • LCD 7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

Audio

    • Recording Format (Audio) LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

Custom function

    • Custom Function Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

Exposure

    • Gamma Curve Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
    • Metering Sensitivity EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
    • Exposure Modes [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

Focus

    • Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)
    • Focus Point [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)
    • Sensitivity Range EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
    • Focus Mode [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
    • Focus Area [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
    • Other Focus Features Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x)

Interface

    • TC Input/TC Output Multi/Micro USB, TC IN
    • Audio Input 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
    • USB USB Type-C (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
    • Headphone Output Yes (3.5 mm Stereo minijack)
    • Speaker Output Built-in, monaural
    • Hdmi Output HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit
    • Multi Interface Shoe With Digital Audio Interface
    • Bluetooth Bluetooth Standard Ver. 5.0 (2.4GHz band))

Lens

    • Lens Compensation Peripheral Shading, Chromatic Aberration, Distortion

White balance

    • White-Balance Modes Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

Playback

    • Proxy Audio XAVC Proxy: AAC-LC, 128kbps, 2 channels
    • Proxy Video 1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)
    • XAVC HS [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes
    • XAVC S [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes
    • XAVC S-I [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes
    • Playback Functions Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

Power

    • Power Consumption [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)
    • Battery Operating Time Approx. 115 min (Actual recording, CIPA standard) , Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

Recording (Video)

    • XAVC HS [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265
    • XAVC S [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
    • XAVC S-I [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

Recording (Still images)

    • Pixels Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)
    • Sensor Type APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
    • Sensitivity [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)
    • Shutter Speed [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec
    • Recording Format JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
    • Image Size Image size [3:2] L: 6192 x 4128 (26M)? M: 4384 x 2920 (13M)? S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)? M: 4384 x 2920 (13M)? S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)? M: 4384 x 2920 (13M)? S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)? M: 2912 x 2912 (8.5M)? S: 2064 x 2064 (4.3M)
    • Shutter Electronic shutter
    • Drive Modes Single Shooting, Self-timer, Bracket: Single, White Balance bracket, DRO bracket
    • Noise Reduction High ISO NR: Normal / Low / Off
    • Other Still Image Function Silent Shooting, Anti-flicker Shoot

Storage Media

    • Media Type CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

WiFi® & NFC

    • Supported Format IEEE 802.11a/b/g/n/ac
    • Frequency Band 2.4 GHz band/5 GHz band
    • Security WEP/WPA-PSK/WPA2-PSK

Operating temperature

    • Operating Temperature 0ºC to 40ºC, 32ºF to 104ºF
    • Storage Temperature -20ºC to +55ºC, -4ºF to +131ºF

What's In The Box

    • Supplied Accessories Rechargeable Battery NP-FZ100AC adapterPower plug adapterBody capAccessory shoe capUSB-A to USB-C cable (USB 3.2)

Size and Weight

    • Width (cm) 15.00
    • Height (cm) 15.00
    • Weight (kg) 1.25
    • Carton Width (cm) 26.00
    • Carton Height (cm) 16.50
    • Carton Weight (kg) 2.81
    • Weight (Main Unit Only) (Approx.) 646 g (1 lI10:L10b 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)
    • Dimensions (W X H X D) (Body Without Protrusions) (Approx.) 129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

Reviews

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Support

Warranty

When you purchase a Sony product, you have the peace of mind in knowing that your product is covered by Sony's Standard Warranty provided by Sony Australia Limited (for Australian purchases) and Sony New Zealand Limited (for New Zealand purchases)